Composition: Enjott Schneider. Performance by guitar duo Duo Duo Gruber & Maklar (quint bass guitar), Julia Mai / Wolfgang Berg (viola), Thomas Ruge / David Hausdorf (cello), Holger Herrmann (bass), Stefan Temmingh (bass recorder). Talking Trees is the title of the new production at Wildner Records. The renowned Munich-based film composer, Enjott Schneider, has created a wide variety of orchestral works. They include major symphonies, symphonic dances, solo concerts, and concert versions of orchestral soundtracks.

It is currently underway and has been given the working title “Prologue.” Yoffe’s relationship with guitars is closely tied to his country of origin. “I first heard the guitar played as the instrument of songwriters in Russia. They played the guitar in kitchens and sang songs that critically addressed the political and social circumstances in Russia.”

2010 veröffentlich Wildner Records zwei Produktion mit Eliot Fisk. Titel der Produktionen: „The Red Guitar“ und „Ein kleines Requiem“. Das Requiem des Wiener Komponisten Kurt Schwertsik, ist eine Erinnerung an den spanischen Bürgerkrieg und besteht aus 17 Stücken. Die Kompositionen und die entsprechenden Bearbeitungen für Gitarre, entstanden in einer mehr als zehnjährigen Zusammenarbeit zwischen Fisk und Schwertsik.

„The Red Guitar“ befasst sich herausragenden und z.T. sehr persönlichen Werken der US- amerikanischen Komponisten Georg Rochberg, Robert Beaser, Relly Raffman und John Corigliano.

Guitar Artists International, San Francisco, 2009:
A soon to be released double CD on Wlidner Records seems sure to create a sensation as well. The set will include the first recordings of Kurt Schwertsik's monumental “Ein kleines Requiem”, Eliot's new transcription of John Corigliano's Red Violin Caprices, Robert Beaser's Shenandoah, George Rochberg's complete American Bouquet and Relly Raffman's little gem Für Eliot.

http://guitarartistsinternational.com/Eliot-Fisk

“324” is the title of the second album by Augustin Wiedermann on the Wildner Records label. 324 is the difference in years between the birthdays of two composers, on whom the production is primarily focused. At first glance, Ralph Towner (born 1940) and Johann Jakob Froberger (1616-1667) seem to have little in common.